The film is explicitly divided into two parts. The real magic and complexity relies on the work of deciphering the meaning of the aforementioned structure. To understand the unsettled timeline and the deceiving chronology is not a difficult task. Such creation laughs when pretending to be all over the place when it actually isn't. Rekopis Znaleziony w Saragossie definitely contains one of the best, smartest and most complicated screenplays in the entire history of moviemaking. The importance of early sudden and random appearances of characters is explained several segments later. We do not longer know the relevance of particular events portrayed until they are explained later on in the film and, moments after, the explanation that had been already given is proved wrong. It is not a mental journey that is supposed to be taken in its most literal form. The mere purpose of the Saragossa Manuscript, considering its constant, unexplainable and senseless apparitions throughout, is to cause confusion and psychological craziness. At this point, the film makes a clear statement. He wakes up under corpses in the same gallows. He is told an extremely creepy story involving ghosts and violence by a Catholic priest and his supposedly possessed goatherd who stops being possessed under the religious commands of the priest. He is seduced by enchanting women who, according to them, have never met a man in their lives, which has led them to express their love to each other. Symbolisms abound and their particular meaning is subject to complete relativity. He is a man of pretentious honor, patriotism and courage, but perhaps it is the force and irony of destiny the one that drives him into a complex web of crazy sequences. The film obtained a Special Award at the Cinema Writers Circle Awards, Spain, in the year of 1972 under the category of "Movies of special movie theatres".Ĭaptain Alfons van Worden repeats that he belongs to the Walloon guard around five times. The rest of the movie puts van Worden in unbelievable situations of real and imagined dementia, travelling to unusual places and hearing stories within stories within stories within stories within stories of hilarious anecdotes and unfaithful love. After being seduced and being called their lost cousin, he wakes up next to corpses in the middle of a gallows. On his way of seeking the shortest route through the Sierra Morena, he sups with two Islamic princesses at an inn named Venta Quemada. It opens with an officer entering an abandoned house and finding a book that relates the story of his grandfather Alfons van Worden, captain in the Walloon guard. The film takes place during the Napoleonic wars. With an extremely confusing and attractive mixture of events, incredible incidents, a gorgeous sense of humor, highly implied eroticism and a rarely-seen audacity, this film is arguably the best and most creative Polish work of art, leaving room for philosophical discussion, but smartly adding direct questionings towards the current way of life. It was highly influenced by past satirical masterpieces of fantasy, but it also establishes a landmark in unconventional storytelling, unconditional comedy and the importance of artistic subjectivity. No matter how seemingly retarded the interpretation is, that is the correct one. Surrealism is a highly versatile film subgenre, and in this case, the Polish director decides to deliciously construct the most inventive ride of lunacy! Besides being the most film by the director, a fact that clearly indicates that he obtained international recognition, Rekopis Znaleziony w Saragossie is a film that can be interpreted in several ways. Luis Buñuel, a cinema master who seldom watched movies more than once, was so fascinated by Wojciech Has' masterpiece titled Rekopis Znaleziony w Saragossie, that he saw it three times. New combinations have to be arranged, then the whole will be clear, because one man cannot invent something that another cannot solve. I can see a few little streets here which, as it is now, are going nowhere. The streets lead to a goal, but we often return to the same places to get to where we want to be. "- We are like blind men lost in the streets of a big city.
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